Friday, March 9, 2012

Clean-up Day at Dos Vacas Muertas


Dos Vacas Muertas is a little know Houston Audubon Society sanctuary on Galveston Island. HAS has installed a drip for the birds to give them freshwater. There's also viewing benches.

This is a great "migrant trap" where we can get photos to warblers, tanagers, orioles, and other neotropical migrants as they come across the Gulf of Mexico.

Migrants start arriving on the coast this month so help get things ready for them. Love to work in the garden? Go down and volunteer. Can't dig or busy that day? Send a donation.

Help Dos Vacus get ready for the birds. Join Winnie Burkett and me next
Saturday March 17th 8:30 til 1:00 for clean up and planting. Dead trees have been removed around the drip,viewing and picnic area. We have planned a phase I restoration that
will include planting 3-4 60-100 gal trees around the drip. Thanks to Mark
Reid, coastal manager HAS, we have 10 large youpon and 35 smaller trees and
bushes. Some of our money will go for hoses and sprinklers. As all of you
know water will be the essential element for successful DV restoration You
also know that MONEY is essential as well. We have $2,250 in contributions.
You can help by a donation to HAS, mark for Dos Vacus ...see address below

Bring gloves, shovels, and bug spray. Clipper if you have them Call me for
more info.

Alice Anne


Houston Audubon
440 Wilchester Boulevard
Houston Tx 713-932-1639

Thursday, March 8, 2012

How to Further my Photography Education?

Joe asked: My question of the day is :) what newsletter, forum, web site etc. would you recommend to further my photography education?

My answer: Join www.photomigrations.com or www.pixtus.com

Both are great photography communities. Lots of good information, feedback, and a place to have your images critiqued. Tell them I sent you.

Monday, March 5, 2012

Galapagos Photo Tour -- How Physical Was It?

My next tour to Galapagos Islands begins on July 16th and people have started asking questions. "How physical is it?" seems to be the most common.

Our tour was aboard the yacht Daphne. The crew was magnificent and the food wonderful. Our guide, Chary, was the best. (at left: Judy looking out from second deck.)

Life on the boat was interesting. My hat is off to sailors around the world! Several people on the trip got some form of seasickness. That ranged from a little woozy to uncomfortable. Others weren't bothered at all. It was interesting who was impacted and who wasn't.

I was woozy most of the time we were on the boat. I wore pressure bands and took pills twice. Some people wore the patches behind their ears. Luckily, we left the boat twice a day so the woozy feeling went away once I hit land or went swimming. There was relief.

The boat has four levels and each involved a stairway. I got pretty good at going up and down once I learned how to use the hand holds. But a trip up or down stairs still involved a certain amount of pulling or steadying. When the boat was underway, it rocked from side to side or heaved up and down. That involved a lot of steadying. I found my muscles were in motion all the time. Toward the end of the trip, I loved how I had adapted and could go up and down stairs without a problem.

That was life on the boat. Leaving the boat involved moving from the big boat to a small inflatable zodiac or panga. The crew was there to coach us each step of the way. You'd get as steady as you could on the big boat, hand your equipment to a crew member, grab on to a crew member's arm, step to the panga, let go, settle down, gather your equipment, scoot into place, rock-and-roll as the other people get on. All that with a life jacket, hat, sunglasses. By day three or four this was routine and there was a certain joy in mastering the task.

The landings were wet or dry. Wet involved handing your equipment to a crew member, turning around on the edge of the panga, putting your feet in the water, stepping off, steadying yourself in the waves, and walking ashore. Sometimes that was gentle and easy and sometimes the waves were active with sand washing out from under your shoes. Only one person slipped and that was on the very first day. We all learned our lesson and never had any trouble from then on.

Dry landings were on a dock, rocks, or stairs. The panga rocked in the surf. Dry landings always involved moving from the rocking boat to stairs. Some were slippery and some were completely dry. Yet we never lost anyone or any equipment thanks to our wonderful crew.

Then the walks on each island were different. Each was rocky, of course. Each involved elevation. Some were over rocks the entire time. Some were across sand. The outings were 90 minutes to two hours so not horribly long but were in the sun and over uneven terrain. We had two landings a day.

The shooting was physical as well. I carried one camera, two lenses, and a shoulder bag plus water bottle. That's eight to ten pounds of equipment. Things were at eye level, overhead, then low to the ground. Lots of subject were so close it was fun to get down on the ground to shoot them from eye-level. That involved getting up with the usual little light-headedness that comes from squatting and standing. Then back to walking, then squatting, then walking, then standing still, then walking, then getting down on the ground, etc. It was very physical if you really wanted to get the shots. Some people just stood or sat but I found it necessary to move up and down a lot.

So it was a beautifully physical trip. Lots of motion all the time. Lots of exercise and adventures. Adults and kids who were physically active did fine. I loved all the exercise.

For those with any physical limitations, though, it was harder. The boat crews are used to people with all physical skill levels. They work very hard to get people to and from each location. Some people on our trip passed on various outings. They stayed on the boat and slept, read, or photographed.

The key is knowing your limits and physical abilities. Exercise in advance and get your body in shape. The Galapagos Islands are amazing and should not be missed.

Strabo Tours coordinates our trip. The dates are July 16-26, 2012. The trip begins in Quito, Ecuador, with a day trip to see tropical hummingbirds in the Mindo Valley. Then we fly to the Galapagos Islands for the rest of our adventure. I hope you'll join us.

Wednesday, February 29, 2012

Signing a Digital Image


We see it all the time but many people don't know how to do it. How do we put our name on the bottom of a digital image?

Here's a link to putting your name on photos in Lightroom:

Watermarking an Image

In Photoshop CS5, adding a name is super easy.

1. Open Photoshop.
2. Open the image.
3. Click on the eye dropper tool at the left. (Can't see the tool bar? Click on Windows and check Tools)
4. Your cursor is now an eye dropper. Click anywhere in the image to select your text color. By selecting a color from the image, your text is color coordinated with the image. Notice that the foreground color at the bottom of the tool bar on the left changes to the color you selected.
5. Now click the text tool. Notice that the tool bar at the top changed when you clicked on the text tool. Select the font you want to use, select the type size, and selected right justify for alignment. Tap your cursor on the foreground color on the left tool bar. That sets you type color the one we want.
6. Move your cursor to the lower right hand corner of the image. Click and start typing. You're text is right justified so it should start in the corner and move out into the image as you type.
7. Click on the Move tool at the top of the tool bar on the left. Move your signature around so it's in the right place.
8. Need to change the signature? Tap on the Text tool again and highlight the signature. Now you can change the font, color, or size.
9. Click on Layers on the very top tool bar. Then click on Flatten. Your signature is now embedded in your photo.
10. Save as usual.

We sign digital images with an electronic signature. We put watermarks on digital images that are going to be displayed on the web.

Prints, though, are signed with a pen. A print is for display so photographers sign the print with a Sharpie. Sign with your regular signature.

Tuesday, February 28, 2012

Is a 50mm 1.4 the Ideal Lens?

Becky asked the following:

Kathy, may I get your opinion on a lens? I recently attended another beginner photo class (it was a Christmas gift) and the instructor insisted that everyone should get a 50mm F1.8 prime lens. I noticed that the instructor mainly took portrait shots and I am more into landscape and wildlife photos. Do you think the 50mm F1.8 prime lens is really for ALL photographers?

My answer:

Great question, Becky. The 50mm 1.8 is a portrait lens. It's great for portraits. Yet, it's not an ideal lens for everyone.

The 50mm view is roughly what you see if you look straight ahead. Don't move your head up or down or rotate your eyes from left to right. Look straight ahead. That's the view with a 50mm lens. It used to be the standard lens in the 1960s and 1970s. All the basic family and travel snapshots from that era were taken with a 50mm lens.

The 50mm 1.8 or 1.4 or 2.0 give great blown out background, too. The bokah, or pattern in the soft background, is nice and soft. That soft background makes portraits look pleasant. Same with the 85mm 1.4 or 2.0. Great portrait lenses.

If you want to shoot landscapes or wildlife, though, the lens is not great. The 50mm is too narrow for a good landscape shot. That's done with a lens in the 15mm or 16mm range.

The photo at right of the George R Brown Convention Center in Houston is shot with a 16-35mm lens. The versatility of a zoom lens is great for landscapes.

The 50mm is too short for good wildlife. We need a 300mm or 500mm lens to take good shots of wildlife including butterflies, dragonflies, and birds.

The blue-crowned motmot at right is shot with a 300mm lens with a 1.4x extender added for added reach.

The 50mm 1.4 is a useful lens. Canon has a general 50mm for about $350. Nikon offers the same. The Canon high-end 50mm runs about $1500. It is very sweet!!

If you shoot portraits or like to photograph faces, then buy one of the low end lenses. When you find that it's your "go to" lens, then it's time to invest in the expensive one.

Monday, February 20, 2012

What Camera Bag?

Someone wrote to ask if I could suggest a camera bag. This question comes up often so I posted two videos on YouTube.

I've posted two videos on YouTube about camera bags. Check them out.

Small Camera Bags

And

Big Camera Bags

I hope you enjoy!

Wednesday, February 15, 2012

NatureFest March 3rd

I'll be speaking at NatureFest on March 3rd at Jesse Jones County Park in Humble, Texas. This is a great event for the entire family. Lots of activities, games, nature walks, programs, and exhibits. Put it on your calendar.

Monday, February 13, 2012

Canon Flash Videos

If you own a Canon flash, you'll love watching these videos.

Canon Digital Learning Center has several videos with Bruce Dorn as the host. Nice and low-key with simple to advanced techniques.

There are nine videos. Start with the first one and move on through the series. Great information.

Don't blame me if you start buying more speedlights!

Thursday, February 9, 2012

Aspiring Portrait Photographer

Jackie wrote: I have taken your class and I remember you said if we have questions email you. I have a Nikon D60 and I am trying to start my own small business in photography mainly in portrait with people and events as in weddings or parties. Well I don't have a studio but I know there are photographers who carry around a portable background and lighting. I want to be able to do this and go to peoples homes or them to mine. I also want to do portrait outdoors. I know I might need a top flash and some lighting as in sift box or umbrella lights but not sure which ones to get for what I'm photographing. So maybe you could tell me what kind of flashes, lenses, lighting and backgrounds are good to start off with til I'm able to build my own studio in the back of my home in a few years? And where I could buy these? I would greatly appreciate it!

My reply: Join Texas PPA. This is the professional portrait photographer group. They can teach you about lighting, posing, contracts, etc.

Dig around on the site and I'm sure you'll find information on backgrounds and lighting. Join today so you can learn how to run your portrait business from professionals.

Texas Professional Photographers Association

Outside of Texas, join PPA

Sunday, February 5, 2012

Fabulous Weekend Workshop

We returned a few hours ago from a wonderful workshop at Block Creek Natural Area near Fredericksburg, Texas.

Fabulous birds, like the lesser goldfinch, from wonderful photo blinds for the photographers. My husband, Gary Clark, led the birdwatchers through a comprehensive bird identification workshop that looked like a lot of fun. Great food and lodging from Sharron and Larry Jay with the support of Myrna and David Langford.

More to follow. Stay tuned.